After passing the exam in this subject, the student will be able to: 1. Familiarize themselves with the evolution of this discipline, including its emergence and development during the era of structuralism, as well as its conceptual and methodological guidelines; 2. Recognize the reliance of narratology on the views of Russian formalists; 3. Become acquainted with the poetics of Yuri M. Lotman and learn to present the primary principles by which the structure of an artistic text functions, as well as to review knowledge acquired based on the work of B. Uspensky "Poetics of Composition. Semiotics of the Icon"; 4. Review knowledge acquired based on the work of B. Uspensky "Poetics of Composition. Semiotics of the Icon"; 5. Master the narratological methodology of G. Genette, within which priority is given to the tripartite category found in the structure of every narrative text: time, mode, and voice (time includes the order of events - analepsis, prolepsis, as well as duration and frequency, mode relates to questions of focalization and points of view, and voice relates to the narrative voice and narrative situation: homodiegesis, heterodiegesis, etc.).
Name | Lectures | Exercises | Laboratory |
---|---|---|---|
KSENIJA RAKOČEVIĆ | 1x1 12B+2S+1P | ||
TATJANA ĐURIŠIĆ | 2x1 12B+2S+1P |