TUMAČENJE KNJIŽEVNOG DJELA II

After passing this exam, the student will be able to: 1. Familiarize themselves with and master the literary-theoretical knowledge necessary for an analytical-synthetic approach to dramatic and poetic discourse. 2. Recognize and explain the basic elements of anti-drama (theatre of the absurd, avant-garde drama, metadrama, metatheatre, tragic farce...). 3. Understand and highlight the socio-historical context of the emergence of anti-drama in order to have a more comprehensive influence on a completely new process compared to that established in traditional drama (unity of place, time, and action in the new type is introduced into a negative process, and the lexicon and logic acquire another dimension, disjointed and unrecognizable, all in correspondence with characters living a meaningless life without confirmation of duration; existentialist philosophy, the myth of Sisyphus...). 4. Review previous knowledge of Literary Theory (stylistics and versification), and supplement it with information from contemporary stihology, all using relevant literature. 5. Explain the difference between bound and free verse, correlating all elements of these two types of constructing syntactic-intonation units (attention is paid to metric patterns, rhythm, pauses, number of syllables and pauses, existence or non-existence of strophicity, rhyme, punctuation marks, enjambments…).